About the Priority Programme "The Digital Image"
Since the end of 2019, the priority programme (SPP) “The Digital Image”, funded by the German Research Foundation (DFG), has been investigating the role that the image plays in the complex process of digitising knowledge in theory and practice.
The two project leaders, Hubertus Kohle (Ludwig-Maximilians-Universität Munich) and Hubert Locher (Philipps-Universität Marburg / Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg), are now also coordinating ten individual projects in the second three-year funding period from 2023 to 2026, which approach the phenomenon of the digital image from different thematic focuses and subject perspectives.
The SPP focuses not only on theory and ethical dimensions, but also on technical developments and the impact of digital images.
Alternating between theoretically and practically oriented processing, the aim is a multi-perspective and critical reflection on the epistemological upheaval that accompanies the digital image.
In order to facilitate close cooperation and interlinking of the sub-projects and a constant transdisciplinary exchange within the framework of the project as a whole, conferences and workshops are held regularly, bringing together researchers from all over Germany and often also invited international guest speakers for joint discussion.
While the first funding period was primarily coordinated from Munich, the main speaking role is now shifting to the DDK team in Marburg
SPP Projects
Adaptive Images. Technology and Aesthetics of Situational Imaging
Architecture Transformed – Architectural Processes in the Digital Image Space
Behind the Digital Image. Photographs on Community Platforms and Twitter as Repositories for Machine Learning and Journalistic Publications
Browser Art. Navigating with Style
Curating Digital Images: Ethnographic Perspectives on the Affordances of Digital Images in Museum and Heritage Contexts
Digital Past. Facticity and Fiction in the Visualization of History
Image Synthesis as a Method of Knowledge Production in Art History
Jameson 2.0. Cognitive Mapping in Contemporary Art
Japanese Handscrolls and Digital Explorations: Materiality, Practices and Locality
Pictorial Picture Critique in Social Media. Explicit and Tacit Theorizing of the Digital Image
Schemata. 3D Classification and Categorisation of Ancient Terracotta Figurines
The Processed Picture: Imaging in the Age of Photoshop
Network of Research
The DFG Priority Program “The Digital Image” is a network of 12 projects based at various German universities. Within the program each of these projects addresses its own particular questions about the subject. Although each research project is independent, the goal of the interdisciplinary program as a whole is to exchange new perspectives on, and approaches to, this complex topic.
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Blog
“Rendering/Visualization”
Booklet series “Concepts of the Digital Image”Fifth volume: “Rendering/Visualization” Fifth volume of the new series “Concepts of the digital image”,edited by Hubert Locher, Dominik Lengyel, Florian Henrich and Catherine Toulouse
Fluidity
Booklet series “Concepts of the Digital Image”Fourth volume: “Fluidity” Fourth volume of the new series “Concepts of the digital image”, edited by Hanni Geiger and Julian Stalter. Digital images are
Digital image curating
Booklet series “Concepts of the Digital Image”Third volume: “Digital image curating” Third volume of the new series “Concepts of the Digital Image”, edited by Christoph Bareither, Katharina Geis, Sarah Ullrich,
Navigation
Booklet series “Concepts of the Digital Image”:Second volume: “Navigation” Second volume of the new series “Concepts of the Digital Image”, edited by Inge Hinterwaldner, Daniela Hönigsberg and Konstantin Mitrokhov. Web
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